Winter Rose

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The list is endless. It was a man. His name was Fred Sage and he was a Londoner through and through. He had retired from the docks and was working as a historian of East and Southeast London. I told him I was working on a novel set in Wapping and Whitechapel and wanted to learn as much about river work as I could. Fred took me around Wapping and Rotherhithe. He told me of London. He told me of backbreaking work. Of hard living. Of strikes and fights and Saturday nights. Of times and places and women and men the like of whom this world will never see again.

Fred had a few years on me, but he could walk the legs off a mountain goat. And of his love for it. Goodbye, Fred. And thank you. Fred Sage of the Docklands. He passed away while I wrote the Winter Rose, and I dedicated the book to him. East End homes, much as the one the Finnegans rented for 18 shillings a week. Lose the cars, and Wilkes St. I spend a few minutes sitting here, dreaming big dreams with Joe and Fiona, every time I'm in London. Click for an excerpt from The Winter Rose. I read the best one when I was 15, and I had to wait 30 years to find the second one!

We can wonder if this angel is India or Sid…. As I am moving to your country, leaving France for a while, and I am writing a bit too, I am looking forward to find inspiration in your beautiful country! I just finished Tea Rose and loved the book. Am now looking for The Winter Rose — what is the title of the 3rd book in the trilogy? Thank you. Hope you enjoy it! Then I must hunt down …The Wild Rose. If you work with a different knitting tension than provided you will have a different yarn consumption, and your work will have different measurements than what the pattern suggests. The knitting tension also determines which yarns can replace each other.

As long as you achieve the same knitting tension you can replace one yarn with another. All our yarns are categorised into yarn groups from A to F according to thickness and knitting tension — group A contains the thinnest yarns and group F the thickest. This makes it easier for you to find alternative yarns to our patterns, should you wish to switch yarn.

All yarns within the same group have a similar knitting tension and can easily replace each other. However, different yarn qualities have different structures and properties which will give the finished work a unique look and feel. Click here for an overview of the yarns in each yarn group. This is so that the measurements of the finished piece will be the same as on the sketch provided. It is easier to achieve the same knitting tension using yarns from the same yarn group.

It is also possible to work with multiple strands of a thinner yarn to achieve the knitting tension of a thicker one. Please try our yarn converter.

Light pruning

We recommend you to always work a test swatch. Please NOTE: when changing yarn the garment might have a different look and feel to the garment in the photo, due to individual properties and qualities of each yarn. By filling in the yarn quality you wish to replace, the amount in your size and number of strands, the converter will present good alternative yarns with the same knitting tension.

Most skeins are 50g some are 25g or g. If the pattern is worked with multiple colours, every colour will have to be converted separately. Similarly, if the pattern is worked with several strands of different yarns for example 1 strand Alpaca and 1 strand Kid-Silk you will have to find alternatives for each, individually. Click here to see our yarn converter. The needle size provided in the pattern serves only as a guide, the important thing is to follow the knitting tension.

For this, we recommend that you work test swatches. Should you work with a different knitting tension than the one provided, the measurements of the finished garment might deviate from the measurement sketch. Working a garment top-down provides more flexibility and room for personal adjustment. For example it is easier to try the garment on while working, as well as making adjustments to length of yoke and shoulder caps. The instructions are carefully explaining every step, in the correct order.

Diagrams are adjusted to the knitting direction and are worked as usual. The total width of the garment from wrist-to-wrist will be larger in the larger sizes, despite the actual sleeves being shorter. The larger sizes have longer sleeve caps and wider shoulders, so there will be a good fit in all sizes.

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Diagrams are often repeated on the round or in height. If it says to work 5 repeats of A. If it says to work 2 repeats of A. It is read from bottom to top, from right to left.

Camellias: Georgia’s Winter Rose

When working back and forth, every other row is worked from the right side and every other row is worked from the wrong side. When working from the wrong side, the diagram will have to be worked reversed: from left to right, knit stitches are purled, purl stitches are knit etc. When working in the round every round is worked from the right side and the diagram are worked from right to left on all rounds.

It is worked from bottom to top, from right to left. When working back and forth every other row is worked from the right side: from right to left and every other row is worked from the wrong side: from left to right. When working in the round , every row in the diagram are worked from the right side, from right to left. When working a circular diagram you start in the middle and work your way outwards, counter clockwise, row by row.


The rows usually start with a given number of chain stitches equivalent to the height of the following stitch , this will either be depicted in the diagram or explained in the pattern. This means you work A. The diagrams are worked as usual: begin with the first row in A. Chain stitches are slightly narrower than other stitches and to avoid working the cast-on edge too tight, we simply chain more stitches to begin with. The stitch count will be adjusted on the following row to fit the pattern and measurement sketch.

The rib edge is more elastic and will contract slightly compared to, for example, stocking stitch.

Medium to severe pruning

By increasing before the rib edge, you avoid a visible difference in width between the rib edge and the rest of the body. To achieve an even increase or decrease you can increase on, for example: every 3rd and 4th row alternately, like so: work 2 rows and increase on the 3rd row, work 3 rows and increase on the 4th. Repeat this until the increase is complete.

Pattern repeats can vary slightly in the different sizes, in order to get the correct proportions. This has been carefully developed and adjusted so that the complete impression of the garment is the same in all sizes. Should you prefer to work in the round instead of back and forth, you may of course adjust the pattern. When you would normally turn and work from the wrong side, simply work across the steek and continue in the round. Should you prefer to work back and forth instead of in the round, you may of course adjust the pattern so you work the pieces separately and then assemble them at the end.

Divide the stitches for the body in 2, add 1 edge stitch in each side for sewing and work the front and back pieces separately. Since different yarns have different qualities and textures we have chosen to keep the original yarn in our patterns.

Camellias: Georgia’s Winter Rose

However, you can easily find options among our available qualities by using our yarn converter, or simply pick a yarn from the same yarn group. It is possible that some retailers still have discontinued yarns in stock, or that someone has a few skeins at home that they would like to find patterns for. The yarn converter will provide both alternative yarn as well as required amount in the new quality. The biggest difference will be the length of sleeves and body. Start working on the women size that you think would fit across the chest.

If the pattern is worked top-down you can add the length right after the armhole or before the first decrease on sleeve. Regarding additional yarn amount, this will depend on how much length you add, but it is better with a skein too many than too few. All yarns will have excess fibres from production that might come off as lint or shedding. Brushed yarns ie hairier yarns have more of these loose, excess fibres, causing more shedding.

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Shedding also depends on what is worn under or over the garment, and whether this pulls at the yarn fibres. When the garment is finished before you wash it shake it vigorously so the looser hairs come off. Place the garment in a plastic bag and put it in your freezer - the temperature will cause the fibres to become less attached to each other, and excess fibres will come off easier.

It is NOT measured from the tip of shoulder. Similarly, the length of yoke is measured from the highest point on the shoulder and down to where yoke is split into body and sleeves. On a jacket measures are never taken along bands, unless specifically stated. Always measure inside band stitches when measuring the length. The required amount of yarn is provided in grams, eg: g. This information is available if you click on the individual yarn quality on our pages. Divide the amount required with the amount of each ball.

Helen Fountain Helen Anne Brouwer Ineke Ik wil dit vest breien met Cotton Merino omdat ik allergisch ben voor wol. Met welke kleur kan ik het beste de rode kleur vervangen? Kirsten Ist es dann auch genau die gleichen Maschenanzahl? Lone Johansen Thank you very much. It is a beautiful pattern and works well with Lima yarn.

Your pattern support is excellent!! Thank you for your reply. That would make the chart A2 wrong in size Medium. The last three stitches would be dark grey, light grey, dark grey. Then the next row behind dark grey, light grey, light grey. Do you see my problem? I am having a problem with A2. What do I do with the extra stitch? In prior rows I repeated the first stitch of the row. The first stitch of the decrease row is a decrease. Do I do an 11th decrease in that row? What about the last stitch in the rest of the rows of A2?

If you want to leave a question , please make sure you select the correct category in the form below, to speed up the answering process. With over 30 years in knitting and crochet design, DROPS Design offers one of the most extensive collections of free patterns on the internet - translated to 17 languages. We work hard to bring you the best knitting and crochet have to offer, inspiration and advice as well as great quality yarns at incredible prices!

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